An hour of a recorded talk is not a LinkedIn post. Six ninety-second clips, each making one point, captioned for a muted feed, are six of them.
500 free credits every month, no card.
Most companies already have the footage: the webinar that went well, the panel from the conference, the podcast episode, the internal talk somebody said should have been public. It sits in a drive because nobody has an afternoon to cut it up.
So it gets posted as a link to a sixty-minute recording, which is a request for an hour of someone's working day, from a stranger, on a Tuesday. Almost nobody agrees to that.
The clip is a smaller ask. It is also the only version of that talk that will ever be quoted, because a quote has to be short enough to repeat.
Upload the file, or paste a YouTube, Twitch or Zoom link.
Short vertical clips with burned-in captions and your branding.
They are talks, not memes - it is worth checking which points landed.
Publish to your feed with the generated description, or download the file.
A video that only works with audio is a video that only works after someone decides to give it audio, and in a scrolled feed that decision comes second, not first. Captions are burned into the frame word by word, so the first sentence is readable before anyone chooses.
They matter more here than anywhere else in this set, for an unglamorous reason: a good deal of LinkedIn is read at work, on a laptop, in a room with other people in it.
It will, and on LinkedIn it is your client's company name or your colleague's surname. Open the clip, retype the word, done - the rest of the batch is untouched.
Set the caption style, font, logo and crop once as a template, and every clip from every future recording comes out matching - so the tenth post looks like it came from the same company as the first, which is the entire argument for doing this at all.
Pick the template on the configure step and the whole batch inherits it - not one clip, all of them.
Upload a font and pin your overlays once. They land in the same spot on every render, automatically.
Point it at your YouTube or Twitch channel and new uploads get clipped to that same template on their own.
Conference and webinar footage is wide, and a centre crop through a four-person panel gets you two half-faces. Auto crop follows whoever is speaking. When the framing matters more than the fill - a slide, a screen share, a demo - fit with blurred edges keeps the whole frame visible, and black bars leave it untouched.
Screen recordings are their own case: text that was legible on a desktop is not legible cropped to a phone, which is worth checking before the batch goes out.
Posting goes to your own LinkedIn feed, the profile you connect. Company pages are not supported - if the clip belongs on the company page, download it and upload it there.
And no tool decides whether a point was worth making. Automatic selection finds the moments that look like moments; whether the argument holds up in front of people who do your job for a living is still your call. That is the read-them step above, and on LinkedIn it is not optional.
No. It posts to the personal feed of the profile you connect. For a company page, download the clip and upload it there.
You choose the clip length. One clear point per clip is the useful rule, and auto mode lets each clip run to the natural length of its topic rather than a fixed number.
Effectively yes - the feed autoplays muted, so a clip without them starts as silent moving footage. They are burned in by default.
Yes. Zoom links work alongside YouTube and Twitch, and you can upload the file directly.
Yes. One generation produces one clip, and you publish it to whichever connected accounts you want.
Uploaded, so it plays natively in the feed rather than sending people off to another site.
500 free credits every month, no card. The webinar from last quarter is enough to see whether this works for you.
Clip your first talkAlso worth reading: posting on a schedule you can keep, the same clips in a Telegram channel, or clips built to be uploaded as Reels.